Tag Archives: Utah
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Slot Canyon Photography Tips 2012

29 Jun

Many of my new images feature some rarely photographed slot canyons in Utah and it got me thinking about more tips to share with you regarding this specialized type of photography. I’ve written on this subject before and I hope this post builds and expands on the information I’ve shared with you in the past. Without further adieu…

Patiently Study Your Subject Matter – One of the best things about photographing slot canyons is the light is always changing. Furthermore, it’s sometimes better in the middle of the afternoon. How cool is that? What I am getting at here is if you don’t have to worry about crowds of people (A.K.A you are not photographing Antelope Canyon.) Then you’ve got time to work the area you are in for the best possible composition. For instance, take this picture…

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2 images blended for dynamic range. The primary image captured at F/22, ISO 160 and 2.5 second exposure.

While I am certainly pleased with the finished product, in actuality I struggled quite a bit with this composition. In fact, I’d estimate I spent nearly 45 minutes here before I actually found something that I could use! Again, what’s my point? Just to be patient. Take your time. Unless it’s partially cloudy day and the sky is moving fast you should have time to work your subject without worrying about the light disappearing in a matter of seconds or minutes. That brings me to my next point…

Relax – I don’t know about you but I can get worked up especially when I am in front of a scene that I know is special. My adrenaline is pumping – maybe it’s a difficult hike, a precarious ledge, or a tight squeeze – whatever the situation is just try to chill. Think about what you are doing and be in the moment. Finally…

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2 shots blended for depth of field. F/9, ISO 400, .8 exposure

Get A Good Guidebook and Read It – To find the best locations, perusing the Internet for information is not the best solution. You need to be Johnny on the spot. (Either that or you can hire me) These locations are remote, difficult to find, and even a good guidebook sometimes doesn’t paint an accurate picture as to what you’ll find when you do get there. (If the directions are even accurate.) My point is this – you need some handy dandy reference material when you are out driving around.

Studying maps, researching locations online – that stuff is all helpful to a certain point, but if you are not familiar with the location, you are going to need reference materials when you are out in the field. Otherwise, you are not going to truly comprehend what you are reading because you are not familar with the area. Heck, I’ve spent hours online just researching guidebooks! Let alone reading them. Count on spending many hours pouring over the fine print to find that needle in a haystack.

The good news is this can be done from where you sleep in the back of your car, at the trail head, or from a toilet seat in your hotel room. Just remember to bring the book with you on your trip. I know this sounds stupid, but when you start accruing guidebooks and you bring 3 or 4 along – it’s easy to forget one. I forgot probably my best guidebook for this trip!

I know these “tips” sound like overstating the obvious, but Don’t Take Your Time For Granted. Maximize It!

To see more of my images please check out my new release gallery found here http://www.wildmoments.net/gallery/new_releases/  and as always – I’d love to hear your thoughts!

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The Top Three Western States for Landscape Photography

19 Sep

As landscape photographers, we all have different visions and reasons to shoot the subject matter we chose.  At times, the experience of traveling to these places is as lasting a memory as some of the images that I create.  The following is my personal list of western states that I enjoy the most for landscape photography,  some interesting statistics, and characteristics that embellish them.

1. Colorado

Land Mass – 104,000 square miles or 8th largest in the country

Population – approx 5 million  or 22nd most in the country

Approx. Percentage of State Visited – 40% including the entire western border from Dinosaur National Monument to Grand Junction and Cortez

Pro’s:  Arguably the most scenic mountains in the US accompanied with superior wildflowers, and the most prolific autumn foliage in the Western United States. Diverse topography featuring many southwestern geologic features including sand dunes and red rock.  Summer monsoons and early autumn storms make fine art landscape photography possible at almost any time of day.  More accessible roads and fewer hiking and camping restrictions than found in most states.

Con’s: No access to beaches or coastline, eastern part of the state is flat, ATV’s are very popular and disruptive to solitude

Summary:  There is no better place in the United States to photograph than Colorado if mountains are your subject matter of choice.  Here you’ll find more than 60% of the 14,000 ft. peaks located in the United States. That’s more than twice as the next state Alaska, which is more than six times its size! Addition, Colorado also boasts some of the most dramatic weather in the country, hence the name colorful Colorado. In the summer months, the afternoon skies are littered with clouds during its monsoon season. Fall arrives early in the alpine areas and it is typical to get snow during peak fall foliage. This phenomenon is uncommon or not possible in most other states. Spring brings budding aspens and wildflowers in the foothills of its ranges. A true four season state, Colorado offers the best of the best for alpine scenery mixed with enough topographical diversity and southwestern reds to make every connoisseur of the landscape a happy camper.

2. California

Land Mass – 163,700 square miles or 3rd largest in the country

Population – approx 37.2 million, which is  the  most in the country

Approx. Percentage of State Visited – 40% including most of the areas south of San Francisco to San Diego, most of the Sierra Nevada’s and the Channel Islands

Pro’s: The most diverse topography, best alpine lakes, longest coastline, largest island, best sand dunes, tallest mountain, highest waterfall, and most national parks in the country.

Con’s: Poor air quality/smog, overcrowded parks, state running out of funds and tourism is being affected

Summary: The most obvious choice for number one, due to its sheer size and location California finishes a distant second on my list. While the Sierra Nevada’s offer some of the best backpacking in the world, there are too many clear days and way too many bugs to rate it ahead of the mountains in Colorado for landscape photography.  Air quality can also be an issue there, as it is in states desert park’s like Death Valley and Joshua Tree.  Yosemite and its sister parks King’s Canyon/Sequoia offer big views, lakes, trees, waterfalls and certainly crowds. In the spring, the Mohave Desert is joy to photograph as is the eastern Sierra during all seasons. California’s coastal ranges from Santa Cruz to Santa Monica are arid, homogenous and somewhat uninspiring.  However, its beaches offer as much opportunity as anywhere in the country. The Golden State is a place landscape where photographers have to work much harder to get original, high quality landscape shots.

3.Utah

Land Mass – 84,900 square miles or 13th in the country

Population – 2.7 million residents or 34th in the country

Approx. Percentage of State Visited: 80%

Summary: Utah seriously challenges California for the number two position on this list. I gave the nod to California for its diversity and size, but Utah probably offers more bang for the buck and as a whole is arguably a more photogenic state.  Utah’s most famous scenery comes from the southern part of the state, some of which it shares with Arizona like Monument Valley and the Wave. One also can’t forget the Subway, the Watchman, Mesa Arch, Zebra Canyon, the Narrows, Calf Creek Falls and Delicate Arch as well many others…From its famous national parks to the Wasatch and Uinta Mountains in the north, Utah offers world-class scenery throughout.  Its diverse climate and landscape makes it an excellent choice for visitors year round.

Pro’s: Most iconic southwestern landscapes in the country, easy to find solitude, five national parks, slot canyons, fall foliage, deserts, above average wildflowers and excellent alpine scenery.

Con’s:  High entrance fee’s to state parks, no access to coastline, middle part of the state is generally uninteresting, ATV’s very popular

Honorable mention: Wyoming, Oregon

Not included in these rankings: Montana, Idaho, and New Mexico

I’d love to hear some other opinions on this subject whether you agree or disagree. Please feel free to chime in!

Wild Moments in the Wilderness Close Call #5: Quicksand

9 Jan

During my wilderness travels, there haven’t been too many things more startling than stepping into an area you think is solid, only to instantly sink up to your knees in sand or mud. It’s stepping in quicksand and it has happened to me on several occasions in Zion National Park. The first time I encountered quicksand was during a through hike in the Narrows with a buddy of mine about four and a half years ago. I was aware of the potential hazard, but it is very difficult to perceive where the danger is, meaning you basically have to experience it. When you step in quicksand you are generally taken off-balance because your momentum is stopped cold. So while you think you should be walking, you’re not, resulting in a mild whiplash type of effect. In this instance, I stepped almost up to my thighs and lost one of my boots in the process. Luckily, I was able to retrieve it, regain my composure, and move on.  Make no mistake about it, stepping into quicksand requires quick thinking.

While in Zion this past fall, I had another near miss with quicksand, only this time it was in swift moving water that was almost waist deep. As I was moving slowly into the water to try to set up for a picture,  I could feel the sand give out much too quickly underneath my feet as I lightly stepped into the deeper section to test the current. Immediately I knew it was trouble and backed off. This wasn’t something you could see, as it was actually beneath the water in some fairly deep rapids.  A serious situation in which in an unsuspecting person could have conceivably been seriously injured or drowned.

Dangerous Times - This was the area that had the quicksand. I wanted to get into those rapids, but what lurked beneath made it much too dangerous.

In another instance during the same trip, I was walking through a canyon in Zion’s eastern section near the Checkerboard Mesa, where I carelessly stepped into a shallow patch of quicksand. This instance was quite surreal because I was in a side canyon and was intently searching my surroundings for photo opportunities.  As I walking, the ground looked solid and I was looking up and boom, right up my knees in quicksand!

This time I really banged up my shin and almost ruined my camera which I was carrying on my tripod.  The quicksand caught me so off guard I actually put my camera down in it for a split second, getting dirt and sand in its controls. It took more than a week for my shin to heal, another half hour to clean my camera, and my shoes to this day still stink from that episode.

Bottom line is,  make sure you are educated on the areas where quicksand is a potential hazard. Be aware and mentally prepared for any encounter.  I keep a very level head in the wilderness, but I’ve been caught off guard several  times. If you get stuck, don’t struggle or wiggle to get out. Try to free up one leg at a time or if you are up to your waist, lift yourself out and roll onto the mud.  Remember it’s the first 30 seconds after it happens where you can really get yourself into trouble, especially if you are carrying expensive camera equipment. Be sure to use a hiking stick to probe areas that lock suspicious. Be alert and prepared and have fun! I hope you enjoyed this post, if so, please let me know. I’ll post later this week with number four.

5 Photography Tips & Bryce Sunrise 24 x 36 Print

1 Dec

Before we get into the photography tips,  here’s a quick personal update on the latest happenings in my photography world. The first big festival of the winter is upon us and we are making final preparations for a successful show. Our inventory is fully stocked, show pricing is in place, and we have several options of styles including framed and matted prints, notecards as well as canvas giclees.  For this show, we also made a couple of large prints including my bryce canyon sunrise shot entitled, “Celestial Alignment” at 24 x 36. That’s my largest print to date, we just got it home this afternoon and here’s a quick snap shot with me in it to give you a sense of size. Including the matting and frame – the image is 49 inches wide.

One of my showstoppers for Tempe this year. This is a 24 x 36 Lightjet print on FujiFlex paper with distressed gold trim, suede matting, museum glass, and a Southwestern wood frame. For more information on purchasing this piece...please contact me.

Now onto my photo tips. Ron, my contact at Induro Gear,  asked me to submit my top five photography tips and he published that article on the Induro blog earlier this week. You can read it here.

I hope you all had a wonderful Thanksgiving. I apologize for not updating my blog for frequently. This has been an incredibly busy time. You can expect me to update the blog at least once per week from now until the new year.

Michael

Call in the Relief

10 Nov

Michael returned from his trip to Bryce Canyon and Zion National Parks a bit weary and road worn, but with some tremendous new images. While fall colors were somewhat shy of their peak, weather and lighting conditions were quite favorable, allowing him to capture new Narrows images as well as images from the Subway and Kolob Canyon. He and his traveling buddy spent a good deal of time hiking, scouting new locations, and of course, stopping to catch up on the latest sports activities. They also had the good fortune of spending some time with a photographers Michael met through Flickr. It was a personally rewarding trip with a great time had by all.   

 While he was away, Induro, the manufacturer of the tripod Michael uses in his work, had him as the featured artist on their blog. The profile, Michael Greene on Nature’s Trail, provides a brief biography, some details about his photographic style and outlines how he prepares for field work. The blog also showcases several of his best images. It is a great piece, so please check it out.

 Lastly, you may wonder why this blog was not written by Michael. I have the same thought as I wrap it up. We are extremely busy preparing for the Tempe Festival of the Arts. It is one of the largest art festivals held in Arizona and we will have a booth there December 2-4. Stop by if you happen to be in the area! As you can imagine, there is a great deal of work involved in getting ready for a show. We are editing new images, re-editing, having images printed, matted and framed, as well as a myriad of other duties. My “to do” list included updating the blog, so although I am not as gifted an author as Michael, I do hope you enjoy it.

 Joyce

Day Four – Tips, Techniques, and Insight into Making Stunning Photos

20 Sep

Today we will talk about one my more recent images, taken at Bryce Canyon this past May called, “Bad Moon Rising”.

Ambient sunset light glows on the hoodoos, spires, and pinnacles in Bryce Canyon UT while an incredibly orangish-yellow full moon rises in the opposite direction.

 

 Location: Bryce Canyon National Park, UT

Technical Info: Canon 5D MK2, 70 – 200 F/2.8, F/10, ISO 100, 1 second exposure

Filters: .6 Lee GND (Hard)

Processing: Adobe Camera Raw and Photoshop CS4

 Creative Process: This image is really about being at the right place at the right time. When visiting Bryce Canyon make sure you take a full arsenal of lenses because you never know what is going to inspire you next. I was shooting in the other direction when my fiancée informed me the moon was coming up.

I quickly scrambled to this view-point, composed the image, added a grad to reduce the light in the sky, and began taking pictures. During that time, one thing I kept in mind was the amount of exposure time. I knew I needed to have a relatively short exposure because the moon was rising over the horizon very quickly. I didn’t want it to be blurred during capture.

Most of the time, I have a default aperture I use when taking pictures. This varies from lens to lens and according to the focal length of the scene. For standard shots such as this with my 70-200 F/2.8 lens, I like to use an F/10 aperture. I believe this gives me the clearest image at any aperture setting on the lens. Using the higher aperture allows me to take quicker photos with less exposure times. I kept the ISO at 100 and was still able to have just a one second exposure. I was also bracketing my shots.

 I used two exposures to blend this image. For my base image, I used the image correctly exposed for the moon and sky. I then blended in the brighter exposure – accurately depicting the colors of the hoodoos, rocks, and trees. Initially, I began processing in the opposite direction, trying to use the base image as the one for the rocks and blend back in the moon. However, the moon was moving during capture and from frame to frame, so I was unable to successfully blend that way  – leaving me with a halo around the moon from where it had moved.

Like many landscape images, this was a spontaneous one. There wasn’t any real location scouting or planning. It is important to be flexible and keep an open mind for opportunities and be ready to take advantage of them when they do arise. Also, I am in the initial stages of offering a 3 day workshop to Bryce Canyon in the summer of 2011. Check back on my website  later this week for more details. I hope you found this article informative.  helps. Please contact me  if you have any other questions.

Day Two – Tips, Techniques, and Insight into Making Stunning Photos

18 Sep

Today we are going to examine the details behind possibly my best shot of last year called, Celestial Alignment. The title comes from the fact the Lord literally hooked it up that morning and elements all fell into place perfectly for a stunning image.

Location: Bryce Canyon National Park, UT

Technical Info: Canon 5D mark 2, 16 – 35 L/2.8, F/22, .8 exposure, ISO 160

Filters:  .9 Singh-Ray GND (Soft), .6 Lee GND (Hard)

Processing: Adobe Camera Raw and Photoshop CS4

Creative Process:  I captured this image during the one night I spent at Bryce Canyon NP last year. Talk about a blessing! We arrived at the park the day before as storms were moving through the area. The shooting was good during the afternoon as well as for sunset. The following morning we arrived at Sunset Point (better for sunrises IMO) and I began walking and composing images. Because there were no clouds obscuring the horizon, the pre-dawn light was pretty intense, so I stacked a couple of grads on my camera. I knew from my test shots that a single graduated neutral density filter would not be enough to capture the full dynamic range of light, even while bracketing. (For the most, using graduated neutral density filters at Bryce Canyon is straight forward because of the even horizon).  As the light began to change, we continued to move along the rim of the canyon. I generally knew where I wanted to shoot because I had scouted the location the day before. I also had a pretty good idea of where the sun was going to come up at because of the light in the sky. As the sun appeared, I found myself in the right place at the right time well prepared to capture the fleeting scene. All in all, the light lasted maybe 5 minutes and I was able to create plenty of images in that time.

I used an aperture of F/22 to create the sunburst effect as the sun moved over the horizon. I also bracketed my exposures by 1 1/3 stops allowing me plenty of “wiggle room” so when editing I had the full dynamic range of light to properly replicate what I saw in the sky. The hardest part about editing images of Bryce is balancing out the contrast in the red rocks with the contrast in the trees.  Also, not clipping the red channels in the rocks can be problematic. Overall, this image came out extremely and I am fortunate to share this story with you.  I hope you found it useful. If so, please let me know!

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