Tag Archives: processing

The technical art of capturing alpine wildflowers

26 Aug

Wildflowers are a joy to photograph. The colors, shapes, and sizes can add so much personal expression and emotion to an image. There is a multitude of creative approaches to employ while developing a vision for the subject.  Today, we explore some of the most effective techniques used to capture wildflowers. It is part one of my new series and I hope that you find it useful.

Composition

Fields of wildflowers offer the opportunity for show stopping photographs of epic proportions.  However, the margin for error is even smaller than normal and proper attention to detail must be precise in order to execute a stunning picture.

My first method of approach is to determine a point of view. How low or high do I want to get with my camera? Obviously the lower the perspective, the more prominent your foreground. This technique increases drama and brings your viewer into the picture. However, there are potential hindrances as well.

For instance, what about the flowers directly behind your foreground? Are they colorful and do they add or detract from your image? Would an overview of the area work better than getting low to the ground? Remember, a moving your camera just a few inches up or down or to either side can truly affect your composition,  so be aware of everything you are photographing. Take your time, look around, and experiment.

A stunning floral display accentuated by a glimpse of rare alpine light. The angle of the field of flowers and the varying lengths of growth worked wonderfully for this photograph.

The heighth, width, and overall size of the wildflowers plays a huge part in composition as well. Smaller and stocky wildflowers are generally  easier to capture than taller, lanky ones because they don’t catch as much wind and they don’t obscure other flowers.  On the flip side, the large ones take up more space in your composition and the differences in height can add texture and variety to your pictures as well.

In addition to size, the spacing of flowers is critical. Are the flowers evenly spaced  or do they occur in clumps? Is the color evenly distributed across your image or is it unbalanced?  Finally, are you looking to photograph an entire field or  prominently capture one clump?

My approach:  Find the biggest and best fields of flowers and work around that. I prefer as many flowers in my images as possible.

Best advice:  Experiment with both vertical and horizontal compositions of the same scene. More often than not, I find my first hunch for presentation is wrong when photographing scenes with wildflowers.

Techniques

Wind is the biggest natural obstacle in successfully executing wildflowers shots. It doesn’t take much, just a little breeze to really mess things up. Fortunately, in today’s digital age we can overcome many natural limitations by exercising a little bit of patience and creativity.  Let’s go over some techniques that can help.

Wind played a major factor in the capture of this shot. Multiple blends were necessary to keep the flowers from moving and to blend for depth of field. The differences in color from the previous image are mostly a result of a much warmer white balance or higher color temperature used as the basis for editing this picture.

1) Take off the polarizer – In one of my all time favorite photography books I learned that a polarizer should not be used within an hour of either sunrise or sunset. While this filter can be very useful in reducing glare while photographing wildflowers – if wind is an issue and it is a sunrise or sunset – take it off and spare yourself the extra exposure time.

2) Utilize your ISO speed – Depending on the quality of your camera and the size of your print, ISO speed can be raised considerably without any noticeable decrease in quality.  That is,  if exposure and focus are correct coupled with the right aperture settings.  For example, I recently compared a 16 x 24 print shot at ISO 400 with another shot with the same camera and lens at ISO 100 and I literally could not tell any difference in quality.

Getting back to the flowers – unless it is deathly still – try to keep your exposure times to less than one half of a second to prevent any kind of motion blur in your flowers.

My approach: Take lots of pictures of the same composition and blend out the blurry flowers if necessary.

Best advice:  Be patient – wait for the wind to die down. Even if the light changes – you still have a chance of pulling off a successful blend.

We’ll stop here for today and pick up this topic next week with more tips and techniques for capturing wildflowers. If you like post or have any tips of your own – I’d love to hear from you!

New Colorado Wildflower Images

14 Aug

I’ve safely and successfully returned from my journey to Colorado and the wildflowers and mountains were spectacular! It was a very productive trip and I am looking forward to sharing my new images with you soon.  My approach to editing has changed with this trip.  I am using a lot more manual focus blending as well as extra blending for dynamic range.

The first the part of the process is reviewing all my images and then selecting the ones that are the sharpest and that have the best light. Next I determine the white balance and tone of the image and then I manually stack them in Photoshop. Once the images are stacked, I hand blend them and then edit for contrast and color.  Lastly, I’ve been returning to the images over the course of several days to give me time to digest what I am seeing and to ensure that my editing is in synch with my final vision. The result is a slower process, but I want to make sure that I am 100% satisfied with the image before I post them publicly.

Currently, I am about 20% of the way through the editing and I am selecting the pictures as they come to me. Here’s the first image I’d like to share with you. It is an image from Clear Lake entitled “Modularity.”  I’d love to hear your thoughts. I hope to share more with you soon as well as tell you more about my trip!

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