New Images and Changes for 2012

22 May

I’ll admit I’ve been hoarding. I’ve been hoarding images, changes, updates, and blogs posts. I am as busy as ever with landscape photography, but I’ve been dormant from the social media world for a while. That’s all about to change and I thought I’d crack the ice with a post to get you up-to-date in the last happenings in my landscape photography world.

Let’s get you caught up on where I’ve visited first. So far it’s been: Yellowstone NP in January, Sedona in February, Organ Pipe National Monument in March and a 13-day road trip to Utah during the first half of April. I am pretty stoked about what I have to share with you, but I haven’t started processing just about anything yet.

Here’s why: I recently a purchased a new computer and monitor to be used strictly for photography. Currently, I am multitasking and everything for surfing the Internet, to shopping, banking, listening to music, conducting business and everything else under the sun is done from my one system. Let’s put it this way – I really don’t want it to break under the weight. So far, it’s been holding up great (except for my USB ports, which are basically fried) and I am finally to the point where I can afford to designate a new  computer system specifically for landscape photography.

Coincidentally, Adobe recently released CS6 and the timing was perfect to upgrade and process on all my new images with their new software and through my new hardware. As it stands now, I am just waiting on my new writing desk to come in, which is supposed to occur later this week. I am hoping to get up and running by this Memorial Day weekend.

To go along with all of the new changes, I thought it would be a great time to redesign my blog’s appearance too. I’ve added a few widgets and changed the theme as I wanted something where I could include a background image. Please let me know what you think. I wish it didn’t have the white background where the text goes, but it’s about the best theme I could find on WordPress.

In case you are wondering, I am still up-in-the air about many future photography trips this year. I am definitely planning another short visit to Sedona in late June and a weekend trip to Flagstaff in August. I am still on-the-fence about a major trip somewhere in late July and I have tentative plans on returning to Yellowstone in the middle to end of September.

I’ll keep you posted as to any new developments on that front and will update you further on my new computer system  within a week or so. If you have any suggestions on worthy photography related destinations within a 10 hour drive of Phoenix I’d love to hear about them. I am specifically interested in New Mexico, but any state that borders Arizona is doable. Have a incredibly blessed and safe Memorial Day weekend.

Leaving for Frozen Yellowstone This Week

16 Jan

I am preparing for my first photography trip of 2012 to  Yellowstone National Park. Later this week, I’ll arrive in Bozeman, MT  where I’ll spend nearly a week exploring the frozen tundra of Yellowstone in search of interesting landscapes and wild animals. While I have spent some time in Yellowstone during a snowstorm, it was during the fall and not the frozen heart of winter.

My experience in dealing with sub-freezing temperatures is limited and I am not exactly sure what to expect. Considering that I have lived in Arizona for the past 16 years , I am not used to hardcore winter photography where temperatures can drop below zero.

Just minutes before a huge snowstorm hit Yellowstone Lake

Just minutes before a huge snowstorm hit Yellowstone Lake, captured in early October

Because I’ll be assisting another photographer in leading a large group – I don’t exactly have the autonomy I normally do on a photography excursion by myself.  However, I am still hoping to come away with some quality images. Currently, the weather forecast looks like snow, snow and more snow so I am not sure how that is going to translate into landscape images, which I favor over wildlife scenes.  My goal is to push the bounds of my creativity and hopefully come up with something unique, especially if the light is less than spectacular.

Any suggestions or tips for dealing with the cold weather are greatly appreciated. I have hand and feet warmers, but I am still not sure how equipped or prepared I am in dealing with the frigid temperatures.

What Does Landscape Photography Mean to You?

31 Dec

I thought  I’d wrap up the year by posting some of my favorite images taken in 2011.  I’ve decided to feature these images in a series called “Landscape Photography Is….” I hope you all enjoy and happy New Year!

Landscape Photography Is…

Finding Your Own Vision

sunrise at Joshua Tree National Park, California, March

Executing an Idea

Antelope Canyon, Arizona, April

 Seeing in black and white

Antelope Canyon, Arizona, April

Noticing the little things

Parry Agave, May

Visiting new places

North Falls, Oregon, May

All about timing, planning, and persistence

American Basin, Colorado, August

Hiking and backpacking

Ice Lake Basin, Colorado, August

Appreciating the subtle beauty of nature

Weminuche Wilderness, Colorado, October

Using light to create drama

San Juan National Forest, Colorado, October

Taking chances

Frozen waterfall, Colorado, October

God’s gift to us!!

Tonto National Forest, Arizona, November

I’d love to hear what landscape photography means personally to you. Also, which of the above images are your favorite. Have a wonderful New Year!

Back from Snowy Colorado Part 1

18 Oct

We returned safely from our adventure in Colorado last week and I wanted to share some pictures and conditions from our first couple of days on the road. We departed Phoenix around 4:30am PST and made it to Cortez by about 1pm MST. From Cortez, we headed up the 145 touring the picturesque Delores River Valley toward Lizard Head Pass, seeing the first signs of snow approximately five miles outside of the town of Delores and before Rico.

The first storm of season had hit the area the day before and blanketed the mountain slopes with up to a foot of snow. The weather was a mix of partly sunny conditions with fast-moving clouds with temperatures in the low 40’s.  The trees in that area were a mix of peak, past peak, and still green – a theme that became the dominant foliage conditions of the trip.

What’s interesting, is as we drove towards the Dallas Divide there were large areas of the mountains that didn’t appear to have any snow or that it had already melted. A few token stops along the way didn’t yield any keepers and we settled into our hotel in Ouray, stopping for happy hour at O’Brien’s Pub in the downtown area. By nightfall, the cloud cover was getting thicker and it was obvious another storm was moving in. The snow started a short time later…

We overslept a bit the next morning for sunrise as I set my alarm on my Blackberry for the right time, but the phone never changed time zones like the rest of us. Luckily, we still woke up in time. When I went outside to heat up my ride, it was still snowing and there was a fresh three inches of powder covering my SUV.  We made our way towards the Dallas Divide on snow-covered roads.  The snow did stop a short time later but the skies did not clear in the right place to catch any sunrise color. Still, it was a beautiful morning and I was able to capture this image about 45 minutes after sunrise.After spending the first part of the morning on County Road 7 we headed back towards Ridgway to check out Owl Creek Pass. It didn’t take long for that road to turn to snow too and we found ourselves four wheeling in what was easily six inches of fresh snow.  As we made our way up and over the 10,114 foot Owl Creek Pass towards Silver Jack Reservoir, I stopped to capture this image taken close to 11:00 am.  There was definitely a foot of snow on the ground where I was standing…The temperatures were in the mid 40’s by the time we stopped for lunch near the Silver Jack Reservoir. This was our first time in the area and I was quite impressed with the dispersed camping opportunities as well as the side roads and hikes to explore the area. The views were 360 degrees and the foliage was looking great, good, past peak, and not yet changed all at the same time again.  Here is an image of the main road between Owl Creek Pass and Silver Jack Reservoir. As you can probably tell by the previous two pictures the weather was partly sunny, but that didn’t last long as heavy clouds were moving in.  I captured this next image just a short way down the road….This was pretty much our turning around point as had about a 75 minute commute back to Ouray and the weather was threatening again. On the way back, much of the snow had melted on the road and there were many more people out and about.  This was our last stop of the day, one of the more iconic foliage view points in the area located just inside the Uncompahgre National Forest boundary. I have several more days of pictures and reports to share with you, and I hope you enjoyed this one as well as the pictures. If you have a particular favorite or favorites, I would love to know about it. Thanks so much for reading.

Leaving tomorrow for snowy Colorado

6 Oct

Tomorrow marks the start of my second annual visit to Colorado for autumn foliage. Last year, we visited the week earlier, stayed in lovely town of  Telluride,  and the timing was perfect for color. The weather was generally cooperative with a few minor afternoon storms and some overnight snows coating the high peaks of the San Juan Mountains.

This year appears a totally different story.  As I write this, a massive storm is pounding much of the state with up to a foot of snow.  It’s effects can be felt all the way to Phoenix, where temperatures have significantly dropped and the winds have picked up big time. Originally, the plan was to camp most nights and stay in a hotel to get a good night’s rest and get cleaned up before we return home, that’s now changed.

This year, we designated Ouray as our base camp. For those of you not familiar with the area, Ouray is the northern most town located on the San Juan Scenic Loop and is about an hour drive from Telluride and probably closer to two hours from Durango.  Getting there could be the biggest problem as the mountain passes are snowy, wet, and treacherous. By the time we reach the area tomorrow the worst of the storm should have passed, but forecasts are calling for lingering snow showers possibly as late as Sunday.

Driving the region’s back country roads can sometimes be a daunting task, but when wet and muddy obviously it can get extremely dangerous. There’s also the possibility the high winds would eradicate what’s left of the region’s foliage, which could significantly decrease photo opportunities.  The storm also brings plenty of promise as well. The mountains will look incredible and snow-covered foliage is a wonderous sight.  The weather should improve over our last couple of days in the region and conditions could be optimum for landscape photography.  It’s hard to tell what this trip will bring, my primary goal is to make it home safely, hopefully will a handful of really good photographs to share with you.

The Top Three Western States for Landscape Photography

19 Sep

As landscape photographers, we all have different visions and reasons to shoot the subject matter we chose.  At times, the experience of traveling to these places is as lasting a memory as some of the images that I create.  The following is my personal list of western states that I enjoy the most for landscape photography,  some interesting statistics, and characteristics that embellish them.

1. Colorado

Land Mass – 104,000 square miles or 8th largest in the country

Population – approx 5 million  or 22nd most in the country

Approx. Percentage of State Visited – 40% including the entire western border from Dinosaur National Monument to Grand Junction and Cortez

Pro’s:  Arguably the most scenic mountains in the US accompanied with superior wildflowers, and the most prolific autumn foliage in the Western United States. Diverse topography featuring many southwestern geologic features including sand dunes and red rock.  Summer monsoons and early autumn storms make fine art landscape photography possible at almost any time of day.  More accessible roads and fewer hiking and camping restrictions than found in most states.

Con’s: No access to beaches or coastline, eastern part of the state is flat, ATV’s are very popular and disruptive to solitude

Summary:  There is no better place in the United States to photograph than Colorado if mountains are your subject matter of choice.  Here you’ll find more than 60% of the 14,000 ft. peaks located in the United States. That’s more than twice as the next state Alaska, which is more than six times its size! Addition, Colorado also boasts some of the most dramatic weather in the country, hence the name colorful Colorado. In the summer months, the afternoon skies are littered with clouds during its monsoon season. Fall arrives early in the alpine areas and it is typical to get snow during peak fall foliage. This phenomenon is uncommon or not possible in most other states. Spring brings budding aspens and wildflowers in the foothills of its ranges. A true four season state, Colorado offers the best of the best for alpine scenery mixed with enough topographical diversity and southwestern reds to make every connoisseur of the landscape a happy camper.

2. California

Land Mass – 163,700 square miles or 3rd largest in the country

Population – approx 37.2 million, which is  the  most in the country

Approx. Percentage of State Visited – 40% including most of the areas south of San Francisco to San Diego, most of the Sierra Nevada’s and the Channel Islands

Pro’s: The most diverse topography, best alpine lakes, longest coastline, largest island, best sand dunes, tallest mountain, highest waterfall, and most national parks in the country.

Con’s: Poor air quality/smog, overcrowded parks, state running out of funds and tourism is being affected

Summary: The most obvious choice for number one, due to its sheer size and location California finishes a distant second on my list. While the Sierra Nevada’s offer some of the best backpacking in the world, there are too many clear days and way too many bugs to rate it ahead of the mountains in Colorado for landscape photography.  Air quality can also be an issue there, as it is in states desert park’s like Death Valley and Joshua Tree.  Yosemite and its sister parks King’s Canyon/Sequoia offer big views, lakes, trees, waterfalls and certainly crowds. In the spring, the Mohave Desert is joy to photograph as is the eastern Sierra during all seasons. California’s coastal ranges from Santa Cruz to Santa Monica are arid, homogenous and somewhat uninspiring.  However, its beaches offer as much opportunity as anywhere in the country. The Golden State is a place landscape where photographers have to work much harder to get original, high quality landscape shots.


Land Mass – 84,900 square miles or 13th in the country

Population – 2.7 million residents or 34th in the country

Approx. Percentage of State Visited: 80%

Summary: Utah seriously challenges California for the number two position on this list. I gave the nod to California for its diversity and size, but Utah probably offers more bang for the buck and as a whole is arguably a more photogenic state.  Utah’s most famous scenery comes from the southern part of the state, some of which it shares with Arizona like Monument Valley and the Wave. One also can’t forget the Subway, the Watchman, Mesa Arch, Zebra Canyon, the Narrows, Calf Creek Falls and Delicate Arch as well many others…From its famous national parks to the Wasatch and Uinta Mountains in the north, Utah offers world-class scenery throughout.  Its diverse climate and landscape makes it an excellent choice for visitors year round.

Pro’s: Most iconic southwestern landscapes in the country, easy to find solitude, five national parks, slot canyons, fall foliage, deserts, above average wildflowers and excellent alpine scenery.

Con’s:  High entrance fee’s to state parks, no access to coastline, middle part of the state is generally uninteresting, ATV’s very popular

Honorable mention: Wyoming, Oregon

Not included in these rankings: Montana, Idaho, and New Mexico

I’d love to hear some other opinions on this subject whether you agree or disagree. Please feel free to chime in!

Capturing Alpine Wildflowers Part Two

7 Sep

Today we are concluding my two-part series on the technical art of capturing alpine wildflowers.  Let’s jump right into it and talk about some advanced techniques for creating dynamic pictures.

Focus Blending to Create Depth of Field – There are many varieties of this technique available for landscape photographers and I found this one works best for me.  My default area for focusing on an image is centered about one-third of the way into the frame. I’ll refocus and take the same image focused on the extreme foreground and then a third focus point and picture on the background subject matter as well.

After adjusting the exposure, tone, and white balance in RAW, I’ll open my primary image in Photoshop.  I do the same thing for the second image I captured, keeping the settings the same.  I then copy and paste the second image into the same frame as the first one.  Next, I make sure the images are properly aligned by selecting both and using the auto align tool.  Keep in mind, sometimes the tool doesn’t do a perfect job on the first attempt. Zoom in close and double-check the results and rerun the tool if you aren’t satisfied. Once your images are properly aligned,  use an inverse mask on the second image and brush in the parts of the image that are sharper in the foreground.  Please keep in mind this can get kind of tricky when dealing with wildflowers because just the slightest breeze can cause movement in the flowers.  Once you are happy with your results save the file. It is important not do any cropping yet.

Next I flatten the image file into one and repeat the steps using the third image captured for the background.  Normally this step is a little bit easier because there usually isn’t as much detail in the background as there is in a foreground.  Once you are happy with the results you can then begin your regular editing.  I prefer to save the cropping for last during my workflow.

Micro Blending – Micro blending is sub category of blending for depth of field. The technique is pretty much the same as the one I just described, except you are specifically blending for one small part of the image.  Let me give you an example.  Suppose you completed the steps above and your wildflowers look good. You then notice a couple of errant flowers that show movement from a slight breeze. You go back and review all of your shots of the scene and because you bracketed,  you find a shorter exposure that has those flowers rendered more in focus.  What you can do is adjust the settings in ACR to match your current picture setting and open that image up, follow the above steps and blend in just the flowers you need.

I hope this explanation of my depth of field blending techniques is useful to you. If so, or if you have any other comments or suggestions, I’d love to hear from you. Have a wonderful Labor Day Holiday.


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