The difference between a seasonal image and the grand scenic (see last post) is the subject matter is based primarily on and around the seasonal element within the landscape. In other words, it is the time of year that makes the image.
The most common images that come to mind are forest scenes. The forest makes excellent seasonal subject matter, especially trees captured in the brilliance of fall, or draped in snow, or possibly cloaked in their freshest colors of the spring. Let’s take a look at one of my personal favorite seasonal images.
This was captured back in the fall of 2006 during my first and only visit to The Great Smoky Mountains National Park. Without the water, I probably wouldn’t have taken this shot, but it is the time of year that brings this image to life. Let’s dissect the composition.
First, the most obvious aspect of the image is the light shining through the yellow foliage in the background. This leads the viewers eyes through the scene and it also creates a powerful v shape in the background forest, accentuating form. (That shape is somewhat mimicked by the shape of the rock ledge spillway in the foreground) .The color of the trees also help convey depth to the scene by breaking up the monotony of the towering green rhododendron in the mid ground.
Lastly, look at the leaves on the moss covered rocks. The burnt orange/brownish colors compliment the green of the rocks and provide more visual interest as well. Combined with the background, this type of scenery is only evident diuring a small window of time each year. In my opinion, that is the distinguishing feature of this image – the season.
In this image, taken in Colorado last fall, I used the thinning aspen trees to create depth and accentuate form while utilizing the yellow and green color combo again. Another scene available only during the late fall. This image is inherently much more abstract than the previous one.
In summary, the seasonal image doesn’t utilize the drama of nature’s finest moments to the extent the grand scenic does. Skies may or may not be part of the scene and if they are, there is usually no dramatic color. From a creative standpoint, the seasonal image often plays to the photographer’s resourcefulness in finding a composition where others might not see one. After all, it is hard to miss a grand scenic! While the use of light is vitally important in all landscape photography, the grand scenic is heavily dependent on spectacular light, while there is a greater range of acceptable light when composing a seasonal image.
Stayed tuned for the next segment of Finding Your Creative Vision, hopefully I’ll have that to you by Monday or Tuesday. Have a great weekend!